He collaborated with no less than 15 producers to create “Dawn FM.” Producing an album like this after experiencing a Grammy snub last year shows how The Weeknd’s artistry spotlights the things that bring him pain. Separate collaborations with artists Doja Cat and Post Malone, earned him spots 39 and 42 on the list. 8, Billboard’s Hot 100 listed The Weeknd in two spaces. This is a great new selection for Karaoke Night with friends or family.Īs of Jan.
The head-bopping ’80s tracks make the story’s heaviness easier to digest. Experiencing relationships like the ones in this album are taxing. The issue centers around the paradox that global warming could instigate a new Little Ice Age in the northern hemisphere. but very rarely excited sthetic admiration, such as we of the New Age would feel for the ruthless Tidal Wave for the Simum of the Desert rising like. The Weeknd’s aged appearance on the cover isn’t a coincidence. They’ve lost their vibrancy and he is ready to let go. He uses this instrument to share how the intensity of the relationships have softened. The tempo is more progressive - similar to ’90s tracks.Īs the styles of the songs become more modern, the relationship he describes in the beginning of the album loses its luster.Ī softer drumming of the guitar frames “Less Than Zero” as he sings about moving on. Interlude, “A Tale By Quincy” and songs “Sacrifice” and “Starry Eyes” define those changes in the album. “Out of Time” is a reflective song and delivers a message similar to Bruno Mars’ “When I Was Your Man.” It reframed the original desire in Aran’s song in the despairing loss of no longer having who you want.Īs The Weeknd’s perspective on who he desires changes, the messages that alluded to salvation earlier in the album are now more aggressive and carry harder tones. My favorite song on “Dawn FM” is “Out of Time.”Īs an avid Japanese ’80s pop mixtape lover, hearing the intro for “Midnight Pretenders,” written by Tomoko Aran and Tetsuro Hamada, made me jump up and listen with more excitement. The haunting melody and the shortness of the song play into that danger of wanting more of a bad thing. “Starry Eyes” is a track that sums the personal costs of staying in unhealthy relationships.
#THE MIDNIGHT WAVE NEW AGE SERIES#
He also curated the Brooklyn Museum’s summer jazz series and helped found The Mingus Big Band.Wayne’s verse in “I Heard You’re Married” delivers a sour humor that bitterly fits the song.Īlthough The Weeknd uses his creativity to tell a story about people’s pleasures and desires, he also sings about the painful realities that these pleasures cost. While living in Brooklyn for 25 years, he served on advisory boards for Celebrate Brooklyn and Symphony Space. Host Rob Saffer is the former Executive Director and Producer of the Creative Music Foundation. Persecution Scatters the Believers A great wave of persecution began that day. Live from the shadow of Overlook Mountain in Ulster County. Beautifully narrated dramatized audio bible of the New Living Translation. “Overlooked” is a show focusing on overlooked and under-heard jazz, improvisational, and other fringe music, from early roots to contemporary experiments, a mix of familiar to rare, classic to weird. 2’) Artifacts Trio (‘Light on the Path’) Tomeka Reid (’Niki’s Bop’) Tomeka Reid and Filippo Monico (‘Imitations of Things to Come’) Fred Lomberg-Holm, Michael Bisio, Kirk Knuffke (’Things Hum’) Masada String Trio (’Turel’) Sara Serpa (‘Close Up’) and Abdul Wadud (‘In a Breeze’). Featuring music by Abdul Wadud (‘Happiness') Oscar Pettiford ('In a Cello Way’) Chico Hamilton (“Gong’s East’) Fred Katz (‘Katz Up’) Ron Carter with Eric Dolphy (‘Rally’) Arthur Blythe (‘Illusions’) Julius Hemphill and Abdul Wadud (‘Dream’) Julius Hemphill (‘Dogon A.D.’) Deirdre Murray (‘Calypso’) Marty Ehrlich and the Dark Woods Ensemble (‘Charlie in the Parker‘) Hank Roberts (‘Cola People’) Bill Frisell (’Struggle Pt. Wadud will be heard in a variety of settings: solo, duos, and ensembles. As a memorial, this broadcast will feature improvising cellists as composers, bandleaders, and collaborators, spanning from one of the earliest proponents of cello, Oscar Pettiford, to contemporary cellists such as Tomeka Reid and Erik Friedlander. After the local news at noon, an exploration of the often overlooked world of jazz cellists, including Abdul Wadud who died at age 75 on August 10.
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